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Rockstar’s Bounty at 94,000,000 Berries

WANTED Poster

WANTED poster of Rockstar - 94000000 Berries

Rockstar’s WANTED poster with a reward of 94 million Berries.

Mark

OPW Document

MARINE
World Government via the MarinesBounty Department within Marine Headquarters
WANTED ARCHIVE FILE
#OPW-2255
Active
Known As (Alias / Epithet)
Rockstar
Organization
Red Hair Pirates
Role
Key member
  • Only bounty of Rockstar
  • #2 in the ranking of Red Hair Pirates's latest bounties (2)
  • #3 in Red Hair Pirates historical bounties ranking (3)
Global Ranking
#139
Rank
38.1%
Percentile

Learn more

CONFIDENTIAL

Among the Red Hair Pirates, Rockstar is the exception: the one whose price the reader actually gets to see.

Benn Beckman, Shanks's first mate, has never had his bounty shown on the page. Yasopp, Usopp's father, twenty years in the same crew, hasn't either. Rockstar, a rank-and-file swordsman using a style the registry calls Splitting Sword — a vertical cut meant to slice an opponent clean in two, or a drilling thrust — carries a figure the reader can actually read, while his two senior crewmates remain administrative ghosts.

That does not make him a nobody. Before Marineford, Shanks entrusts him personally with delivering, aboard Whitebeard's own ship, the message that will seal Red Hair's intervention in the war — an Emperor's diplomatic errand, not just another body in a fleet. No devil fruit is ever attributed to him either, in a crew where several far more famous names lean on one; his sword is the whole of his record. After the timeskip, he turns up at an impromptu wedding staged on the ruins of an island, alongside a crew that has had nothing left to prove for a long time.

94,000,000 berries is modest for a confirmed member of an Emperor's crew — well under the level where the Grand Line usually starts paying attention. But the number is not what matters here: what sets Rockstar apart is being visible at all, in a crew where two older, more dangerous men remain figures Oda has simply never shown, an exception owed as much to editorial chance as to any deliberate narrative choice.