Bounty of Jora – credible but non-canon

Aboard the Thousand Sunny, left in the care of Nami, Chopper and Brook at Dressrosa, Jora — Giolla in the English translations — turns the watch crew, Momonosuke and the ship itself into abstract art. The Ato Ato no Mi reshapes anything her colored cloud reaches, living or not: a weapon or vehicle warped this way stops working, and a person fused into a canvas eventually dies there. Doflamingo had sent her to kidnap Momonosuke.

It is art that brings her down. Chopper, Momonosuke and Nami are trapped in a painting set to suffocate them within ten minutes; Brook acts more interested in the piece than in his friends, calls himself a fellow artist and asks for his violin and cane sword back so he can set her work to music. Flattered, she obliges, and the blade cuts her down at once, her power fading with her. Brook, worth thirty-three million then, would leave Dressrosa at eighty-three. Beaten further so she stays down, she still proudly tells the crew that Doflamingo's resignation from the Warlords was a ruse. Law later takes her hostage at Green Bit, and Doflamingo lets the Sunny slip away rather than sacrifice her.

Within the Family she has long played mother. She found Dellinger abandoned as a newborn and raised him, down to his taste in clothes. Sixteen years before Dressrosa, at forty-five, she was already minding little Baby 5 and Buffalo and trying to dress young Law's wounds, which he brushed off. Her last assignment extends the role: reviving the fallen officers, Dellinger among them, by slapping healing tears out of Mansherry, the Tontatta princess. Leo stitches the limp bodies onto her and pulls the thread; crushed under her own comrades, she still praises the artistry of her defeat before being arrested with the other officers.

If a wanted poster bears her name, Oda has not shown it, nor ruled it out.